Now available as SOFT LEAD & HARD LEAD.

Special non grease graphite pencil for simulating the polished metal on the worn edges of models.

• Check the main differences clicking here

*This leads are made with a wax like composition that may break but it can be perfectly used (they are delicate).

Now available as SOFT LEAD & HARD LEAD.

Special grease chalky white lead paint pencil to simulate the markings made with the real chalk used in the factories for the identification of the different parts of the manufactured vehicle

• Check the main differences clicking here

*This leads are made with a wax like composition that may break but it can be perfectly used (they are delicate).

• Graphite detailing pencil (SOFT | HARD)
• White chalk lead (SOFT | HARD)
• Sepia lead (SOFT | HARD)
• Chipping lead (SOFT | HARD)

• Check the main differences clicking here

*These leads are made with a wax like composition that may break but it can be perfectly used (they are delicate).

Essential colour for your scenes. It can also be used to enhance, mix, and the illumination of other colours. A basic colour for the modeler.

This is a colour that no modeler should be without. When mixed with Matte Thinner Sepia perfectly replicates dry oil and diesel fuel stains; as well, it is great for panel lines and the fine details of small parts.

This very popular and highly versatile colour perfectly simulates the subtle effect of accumulated dust; making it a must have for all segments of modeling. Its single shade tone makes it perfect for mixing with other colours allowing the modeler to achieve a wide range of different tones.

A useful dark tone necessary when working with dark colours, or enhancing panel lines. Bitumen, through the use of specific washes, allows the modeler to increase the depth of dark colours in areas that have little illumination.

A classic, must have, multipurpose colour that can be used alone or combined with other colours for the creation of various effects. Burnt Umber is a neutral/ dark tone making it perfect for enhancing volume on sand colours and on any type of accessories.

One of the most popular colour for most modelers around the world; Raw Umber is a great choice making light colours darker, and dark colours lighter. Various effects can be created from different combinations for earth tones, washes and filters.

Perfect to create colour variations on brown and sand tones and on different green tones as well.

A basic colour especially created to add shades on your model’s fine details. Its developed tone makes it perfect to create different shadows as well as filters. Also when combining with other browns it will enhance chromatic variation on your models.

An ideal colour to darken sand yellow tones and create different colour combinations for dust effects. Also very useful to create shades in yellowish colours for figures, flags or any piece painted with yellow tones. Warm colours are also indicated to illuminate panels and areas with higher incidence of light.

Perfect colour to enrich models painted with a red primer base and to create several different effects on them. Also perfect to work on figures with brown or redish uniforms and add areas with more light. Also recommendable to highlight details on different elements of dioramas such walls, roof tiles, etc.

This is the perfect colour to combine and achieve different colour variations on Panzer gray in order to improve your winter scenes. It can also be used to add depth or creating increases and decreases of light on figures with blue uniforms. On small scale ships it can be blended with other blue tones and applied on the gray ship hulls to achieve more volumes and differentiate areas as the bridge and other structures.

Suitable to mix with all the base colours and create dirt and dust effects. Thanks to its light tone you will achieve shadow areas on white or light gray parts. Very useful to illuminate certain parts on brown, sand or tri-tone camouflages vehicles.

A perfect colour to be use on nature scenes, river banks, moss accumulations, rain effects, etc. Also suitable for green vehicles and figures with green uniforms of any period in order to differentiate and contrast different áreas.

A basic colour that allows us to increase vividness on our olive green models. It can also be used for uniforms and vegetation painting. Combining it with other shades of green will add higher tone variation and the final result will be richer.

Perfect colour to simulate light rust effects and also to work on metallic structures, exhausts, etc. It is recommended to combine with different rust tones to achieve more realistic finishes. Rust colours are indicated to apply washes on many parts of any vehicles, and thanks to the colour vividness of the oil paint, the results will be outstanding

A very realistic dark rust tone, perfect for creating rust effects found on various types of metal, such as exhaust pipes … For best resuIts we recommended using it in combination with other shades of rust to achieve highly realistic finishes.

An ideal colour for creating variations in tone on models that have been painted in light colours. Once applied, the subtle effects reveal a very realistic finish.

Shades of brown are amongst the most frequently used shades for modelling effects. A few of the most common uses are weathering details around tracks, wheels, landing gear bays, ground, soil and dirty, the list is nearly endless … This color simulates the earth over industrial areas.

A classic colour for achieving a multitude of effects; use it together with other colours. Light brown and cream tones are perfect for weathering models painted in either dark or light colours.

A special colour, ideal for creating subtle ground effects. Colours that mimic these effects can be used in any segment of modelling making them very popular. A basic weathering colour used on the lower surfaces of vehicles; or any surface prone to the accumulation of mud and dirt. It can be used alone; however, for the most realistic finish and tonal richness we recommend combining it with other colours.

Perfect colour to develop lights and shadows or faded effects of Green colours. It also looks fantastic on green figures when looking for extra luminosity.

With this neutral gray in combination with other tones to you will be able to create lights and shadows on was ships, aircrafts, sci-fi or figures with dark uniforms. It is also suitable to create washes and filters to use over red, yellow, black or blue colours and to decorate their different areas. It is recommended to use it to enrich or degrade camouflage gray and combine with other colours. A staple colour for modelers.

Perfect for extreme weathering effects, for panel darkening and to work on very dark surfaces. It is also used to provide depth in the hidden areas and to darken other colours adding tone variation on abandoned and destroyed vehicles. Works using pure black often result in harsh and exaggerated in combination with other colours, but this colour is ideal over dark gray tones to create the shadow areas.

This colour can be used in a wide variety of situations and it is ideal for vehicles that need red priming, ship hulls, sci-fi models, for combining on figure clothing, red parts or layers, for the dotting and mapping techniques, etc.

A basic in weathering processes, adding realism to the underside of dirty vehicles when used on a subtle way. A special colour to create mud accumulation effects. It can be mixed with plaster and other colours like ABT130 Dark Mud to achieve a wide tone variety, or worked with varnishes in order to achieve humid or dry effect. Lighter mud colours are usually used over the darker tones on splashes or side areas of the splattered parts in order to simulate dry mud.

A basic in weathering processes, adding realism underneath the dirty vehicles or on snowed terrains. It is recommended to combine with ABT125 Light Mud or plaster to achieve higher richness on finishes. Darker mud colours are usually used under the lighter mud colours on splashes and the inside of the affected areas in order to simulate fresh mud.

An especially formulated colour to be used in the process of flesh illumination, directly or fusing it with the base and in general for figure flesh painting.

A colour especially designed to be used for most types of skin colour. It is recommended to combine it with other flesh tones. The special characteristics of the oil paints will make tone transitions on figure flesh spectacular, luminous and seamless.

Especially formulated colour to be used in the illumination process on flesh. It adds a touch of extra luminosity with a toasted tinge. Colour combination provides diversity of finishes which make them look different and unique. This technique can be combined with acrylic colours.

A colour especially formulated to create subtle shadow effects over gray and green colours. It is indicated for uniforms and vehicles of that colour range, for green colour gradients or for filters applicable on vehicles.

This colour is perfect to replicate dust and sand effects on your models or scenes and also to illuminate different areas of panels. It is recommendable to use in combination with other colours to create different tones, although it can be used directly achieving very realistic results.

This colour is ideal for creating grease and oil effects on your vehicles, machinery and engines. It provides the correct transparency to replicate the effect of grease deposits. It is advisable to apply this randomly over the surface and let each layer dry in order to achieve different transparency degrees and more realistic effects. Can be used very diluted with white spirit as small splashes made with a toothpick on a certain area of the exhausts.

Use this colour to make effects on whites, to combine with other gray tones on figures or vehicles on their illuminated areas, in winter scenarios or to work Panzer gray vehicles. It is also very helpful for illuminating war ships and modern military aircrafts in a realistic way.

Use this colour to light up darker colours, to combine with other gray tones on figures or vehicles on their illuminated areas, in winter scenarios or to work Panzer gray vehicles. It is also very helpful for illuminating war ships and modern military aircrafts.

This colour is a patina to be applied over the initial colour and then removed leaving a subtle layer over the paint. This Copper Oxide Blue colour has been designed help weathering copper structures of your models. It can also be used over the Panzer Gray if looking for an alternative result or on sci-fi vehicles.

A colour especially formulated to be used as a light base or to add different tone changes in figure painting process in combination with other flesh tones. It can also be used to create filters for vehicles. It is important to mix several tones when we approach the painting process in order to achieve a more intense and dramatic result.

This is indicated for painting golden details on uniforms. It also works perfectly for armors, sci-fi kits and small parts of your models. The special characteristics of the oil paints allow different types of finishes that will improve the final result of your work. It can also be used to enrich an acrylic paint base.

It is indicated for painting silver details on uniforms. It also works perfectly for armors, sci-fi kits and small parts of your models. The special characteristics of the oil paints allow different types of finishes that will improve the y final result of your works.