The last sake – Imperial Japanese Fighter pilot (Battle of Midway 1942)

This is a colour that no modeler should be without. When mixed with Matte Thinner Sepia perfectly replicates dry oil and diesel fuel stains; as well, it is great for panel lines and the fine details of small parts.

A great product for the perfect simulation of exhaust soot on your models, but the uses don’t stop there, Smoke is useful on wheels, engines and of course burnt vehicles. For subtle variety of exhaust tones, Smoke can be used to create washes and dark filters for exhaust staining on aircraft.

An ideal colour to darken sand yellow tones and create different colour combinations for dust effects. Also very useful to create shades in yellowish colours for figures, flags or any piece painted with yellow tones. Warm colours are also indicated to illuminate panels and areas with higher incidence of light.

A basic in weathering processes, adding realism to the underside of dirty vehicles when used on a subtle way. A special colour to create mud accumulation effects. It can be mixed with plaster and other colours like ABT130 Dark Mud to achieve a wide tone variety, or worked with varnishes in order to achieve humid or dry effect. Lighter mud colours are usually used over the darker tones on splashes or side areas of the splattered parts in order to simulate dry mud.

Perfect colour to enrich models painted with a red primer base and to create several different effects on them. Also perfect to work on figures with brown or redish uniforms and add areas with more light. Also recommendable to highlight details on different elements of dioramas such walls, roof tiles, etc.

This colour can be used in a wide variety of situations and it is ideal for vehicles that need red priming, ship hulls, sci-fi models, for combining on figure clothing, red parts or layers, for the dotting and mapping techniques, etc.

A basic in weathering processes, adding realism underneath the dirty vehicles or on snowed terrains. It is recommended to combine with ABT125 Light Mud or plaster to achieve higher richness on finishes. Darker mud colours are usually used under the lighter mud colours on splashes and the inside of the affected areas in order to simulate fresh mud.

One of the most popular colour for most modelers around the world; Raw Umber is a great choice making light colours darker, and dark colours lighter. Various effects can be created from different combinations for earth tones, washes and filters.

This very popular and highly versatile colour perfectly simulates the subtle effect of accumulated dust; making it a must have for all segments of modeling. Its single shade tone makes it perfect for mixing with other colours allowing the modeler to achieve a wide range of different tones.

Perfect to create colour variations on brown and sand tones and on different green tones as well.

With this neutral gray in combination with other tones to you will be able to create lights and shadows on was ships, aircrafts, sci-fi or figures with dark uniforms. It is also suitable to create washes and filters to use over red, yellow, black or blue colours and to decorate their different areas. It is recommended to use it to enrich or degrade camouflage gray and combine with other colours. A staple colour for modelers.