The desert fox, British 8th Army (North Africa 1941-1943)

A colour especially formulated to create subtle shadow effects over gray and green colours. It is indicated for uniforms and vehicles of that colour range, for green colour gradients or for filters applicable on vehicles.

One of the most popular colour for most modelers around the world; Raw Umber is a great choice making light colours darker, and dark colours lighter. Various effects can be created from different combinations for earth tones, washes and filters.

This is the perfect colour to combine and achieve different colour variations on Panzer gray in order to improve your winter scenes. It can also be used to add depth or creating increases and decreases of light on figures with blue uniforms. On small scale ships it can be blended with other blue tones and applied on the gray ship hulls to achieve more volumes and differentiate areas as the bridge and other structures.

Especially formulated colour to be used in the illumination process on flesh. It adds a touch of extra luminosity with a toasted tinge. Colour combination provides diversity of finishes which make them look different and unique. This technique can be combined with acrylic colours.

Shades of brown are amongst the most frequently used shades for modelling effects. A few of the most common uses are weathering details around tracks, wheels, landing gear bays, ground, soil and dirty, the list is nearly endless … This color simulates the earth over industrial areas.

Essential colour for your scenes. It can also be used to enhance, mix, and the illumination of other colours. A basic colour for the modeler.

Suitable to mix with all the base colours and create dirt and dust effects. Thanks to its light tone you will achieve shadow areas on white or light gray parts. Very useful to illuminate certain parts on brown, sand or tri-tone camouflages vehicles.

A classic colour for achieving a multitude of effects; use it together with other colours. Light brown and cream tones are perfect for weathering models painted in either dark or light colours.

A basic in weathering processes, adding realism to the underside of dirty vehicles when used on a subtle way. A special colour to create mud accumulation effects. It can be mixed with plaster and other colours like ABT130 Dark Mud to achieve a wide tone variety, or worked with varnishes in order to achieve humid or dry effect. Lighter mud colours are usually used over the darker tones on splashes or side areas of the splattered parts in order to simulate dry mud.

A basic in weathering processes, adding realism underneath the dirty vehicles or on snowed terrains. It is recommended to combine with ABT125 Light Mud or plaster to achieve higher richness on finishes. Darker mud colours are usually used under the lighter mud colours on splashes and the inside of the affected areas in order to simulate fresh mud.

Perfect to create colour variations on brown and sand tones and on different green tones as well.

An especially formulated colour to be used in the process of flesh illumination, directly or fusing it with the base and in general for figure flesh painting.