DAMAGED MAGAZINE 11

This is a colour that no modeler should be without. When mixed with Matte Thinner Sepia perfectly replicates dry oil and diesel fuel stains; as well, it is great for panel lines and the fine details of small parts.

Suitable to mix with all the base colours and create dirt and dust effects. Thanks to its light tone you will achieve shadow areas on white or light gray parts. Very useful to illuminate certain parts on brown, sand or tri-tone camouflages vehicles.

This colour can be used in a wide variety of situations and it is ideal for vehicles that need red priming, ship hulls, sci-fi models, for combining on figure clothing, red parts or layers, for the dotting and mapping techniques, etc.

Shades of brown are amongst the most frequently used shades for modelling effects. A few of the most common uses are weathering details around tracks, wheels, landing gear bays, ground, soil and dirty, the list is nearly endless … This color simulates the earth over industrial areas.

A very realistic dark rust tone, perfect for creating rust effects found on various types of metal, such as exhaust pipes … For best resuIts we recommended using it in combination with other shades of rust to achieve highly realistic finishes.

A special colour, ideal for creating subtle ground effects. Colours that mimic these effects can be used in any segment of modelling making them very popular. A basic weathering colour used on the lower surfaces of vehicles; or any surface prone to the accumulation of mud and dirt. It can be used alone; however, for the most realistic finish and tonal richness we recommend combining it with other colours.

A classic, must have, multipurpose colour that can be used alone or combined with other colours for the creation of various effects. Burnt Umber is a neutral/ dark tone making it perfect for enhancing volume on sand colours and on any type of accessories.

An ideal colour to darken sand yellow tones and create different colour combinations for dust effects. Also very useful to create shades in yellowish colours for figures, flags or any piece painted with yellow tones. Warm colours are also indicated to illuminate panels and areas with higher incidence of light.

A basic in weathering processes, adding realism underneath the dirty vehicles or on snowed terrains. It is recommended to combine with ABT125 Light Mud or plaster to achieve higher richness on finishes. Darker mud colours are usually used under the lighter mud colours on splashes and the inside of the affected areas in order to simulate fresh mud.

This is the perfect colour to combine and achieve different colour variations on Panzer gray in order to improve your winter scenes. It can also be used to add depth or creating increases and decreases of light on figures with blue uniforms. On small scale ships it can be blended with other blue tones and applied on the gray ship hulls to achieve more volumes and differentiate areas as the bridge and other structures.

An especially formulated colour to be used in the process of flesh illumination, directly or fusing it with the base and in general for figure flesh painting.

A colour especially designed to be used for most types of skin colour. It is recommended to combine it with other flesh tones. The special characteristics of the oil paints will make tone transitions on figure flesh spectacular, luminous and seamless.