DAMAGED MAGAZINE 11

Especially formulated colour to be used in the illumination process on flesh. It adds a touch of extra luminosity with a toasted tinge. Colour combination provides diversity of finishes which make them look different and unique. This technique can be combined with acrylic colours.

A perfect colour to be use on nature scenes, river banks, moss accumulations, rain effects, etc. Also suitable for green vehicles and figures with green uniforms of any period in order to differentiate and contrast different áreas.

An especially formulated colour to be used in the process of flesh illumination, directly or fusing it with the base and in general for figure flesh painting.

A very realistic dark rust tone, perfect for creating rust effects found on various types of metal, such as exhaust pipes … For best resuIts we recommended using it in combination with other shades of rust to achieve highly realistic finishes.

Perfect to create colour variations on brown and sand tones and on different green tones as well.

Suitable to mix with all the base colours and create dirt and dust effects. Thanks to its light tone you will achieve shadow areas on white or light gray parts. Very useful to illuminate certain parts on brown, sand or tri-tone camouflages vehicles.

Essential colour for your scenes. It can also be used to enhance, mix, and the illumination of other colours. A basic colour for the modeler.

Perfect colour to develop lights and shadows or faded effects of Green colours. It also looks fantastic on green figures when looking for extra luminosity.

A basic in weathering processes, adding realism to the underside of dirty vehicles when used on a subtle way. A special colour to create mud accumulation effects. It can be mixed with plaster and other colours like ABT130 Dark Mud to achieve a wide tone variety, or worked with varnishes in order to achieve humid or dry effect. Lighter mud colours are usually used over the darker tones on splashes or side areas of the splattered parts in order to simulate dry mud.

With this neutral gray in combination with other tones to you will be able to create lights and shadows on was ships, aircrafts, sci-fi or figures with dark uniforms. It is also suitable to create washes and filters to use over red, yellow, black or blue colours and to decorate their different areas. It is recommended to use it to enrich or degrade camouflage gray and combine with other colours. A staple colour for modelers.

This is a colour that no modeler should be without. When mixed with Matte Thinner Sepia perfectly replicates dry oil and diesel fuel stains; as well, it is great for panel lines and the fine details of small parts.

A classic colour for achieving a multitude of effects; use it together with other colours. Light brown and cream tones are perfect for weathering models painted in either dark or light colours.