44TH REGT. OF FOOT GANDAMAK 1842. 54mm Resin.

This very popular and highly versatile colour perfectly simulates the subtle effect of accumulated dust; making it a must have for all segments of modeling. Its single shade tone makes it perfect for mixing with other colours allowing the modeler to achieve a wide range of different tones.

A great product for the perfect simulation of exhaust soot on your models, but the uses don’t stop there, Smoke is useful on wheels, engines and of course burnt vehicles. For subtle variety of exhaust tones, Smoke can be used to create washes and dark filters for exhaust staining on aircraft.

A classic, must have, multipurpose colour that can be used alone or combined with other colours for the creation of various effects. Burnt Umber is a neutral/ dark tone making it perfect for enhancing volume on sand colours and on any type of accessories.

Perfect for extreme weathering effects, for panel darkening and to work on very dark surfaces. It is also used to provide depth in the hidden areas and to darken other colours adding tone variation on abandoned and destroyed vehicles. Works using pure black often result in harsh and exaggerated in combination with other colours, but this colour is ideal over dark gray tones to create the shadow areas.

This colour is perfect to replicate dust and sand effects on your models or scenes and also to illuminate different areas of panels. It is recommendable to use in combination with other colours to create different tones, although it can be used directly achieving very realistic results.

A basic in weathering processes, adding realism underneath the dirty vehicles or on snowed terrains. It is recommended to combine with ABT125 Light Mud or plaster to achieve higher richness on finishes. Darker mud colours are usually used under the lighter mud colours on splashes and the inside of the affected areas in order to simulate fresh mud.

A colour especially designed to be used for most types of skin colour. It is recommended to combine it with other flesh tones. The special characteristics of the oil paints will make tone transitions on figure flesh spectacular, luminous and seamless.

An ideal colour for creating variations in tone on models that have been painted in light colours. Once applied, the subtle effects reveal a very realistic finish.

Perfect colour to enrich models painted with a red primer base and to create several different effects on them. Also perfect to work on figures with brown or redish uniforms and add areas with more light. Also recommendable to highlight details on different elements of dioramas such walls, roof tiles, etc.

This colour can be used in a wide variety of situations and it is ideal for vehicles that need red priming, ship hulls, sci-fi models, for combining on figure clothing, red parts or layers, for the dotting and mapping techniques, etc.

A basic in weathering processes, adding realism to the underside of dirty vehicles when used on a subtle way. A special colour to create mud accumulation effects. It can be mixed with plaster and other colours like ABT130 Dark Mud to achieve a wide tone variety, or worked with varnishes in order to achieve humid or dry effect. Lighter mud colours are usually used over the darker tones on splashes or side areas of the splattered parts in order to simulate dry mud.

Essential colour for your scenes. It can also be used to enhance, mix, and the illumination of other colours. A basic colour for the modeler.