STURMGESCHÜTZ (1940-1945)

This is the perfect colour to combine and achieve different colour variations on Panzer gray in order to improve your winter scenes. It can also be used to add depth or creating increases and decreases of light on figures with blue uniforms. On small scale ships it can be blended with other blue tones and applied on the gray ship hulls to achieve more volumes and differentiate areas as the bridge and other structures.

An ideal colour for creating variations in tone on models that have been painted in light colours. Once applied, the subtle effects reveal a very realistic finish.

A basic in weathering processes, adding realism to the underside of dirty vehicles when used on a subtle way. A special colour to create mud accumulation effects. It can be mixed with plaster and other colours like ABT130 Dark Mud to achieve a wide tone variety, or worked with varnishes in order to achieve humid or dry effect. Lighter mud colours are usually used over the darker tones on splashes or side areas of the splattered parts in order to simulate dry mud.

One of the most popular colour for most modelers around the world; Raw Umber is a great choice making light colours darker, and dark colours lighter. Various effects can be created from different combinations for earth tones, washes and filters.

An especially formulated colour to be used in the process of flesh illumination, directly or fusing it with the base and in general for figure flesh painting.

This is a colour that no modeler should be without. When mixed with Matte Thinner Sepia perfectly replicates dry oil and diesel fuel stains; as well, it is great for panel lines and the fine details of small parts.

A great product for the perfect simulation of exhaust soot on your models, but the uses don’t stop there, Smoke is useful on wheels, engines and of course burnt vehicles. For subtle variety of exhaust tones, Smoke can be used to create washes and dark filters for exhaust staining on aircraft.

With this neutral gray in combination with other tones to you will be able to create lights and shadows on was ships, aircrafts, sci-fi or figures with dark uniforms. It is also suitable to create washes and filters to use over red, yellow, black or blue colours and to decorate their different areas. It is recommended to use it to enrich or degrade camouflage gray and combine with other colours. A staple colour for modelers.

A basic in weathering processes, adding realism underneath the dirty vehicles or on snowed terrains. It is recommended to combine with ABT125 Light Mud or plaster to achieve higher richness on finishes. Darker mud colours are usually used under the lighter mud colours on splashes and the inside of the affected areas in order to simulate fresh mud.

A perfect colour to be use on nature scenes, river banks, moss accumulations, rain effects, etc. Also suitable for green vehicles and figures with green uniforms of any period in order to differentiate and contrast different áreas.

A classic colour for achieving a multitude of effects; use it together with other colours. Light brown and cream tones are perfect for weathering models painted in either dark or light colours.

This colour is perfect to replicate dust and sand effects on your models or scenes and also to illuminate different areas of panels. It is recommendable to use in combination with other colours to create different tones, although it can be used directly achieving very realistic results.