PANTHER EXTERNAL APPEARANCE & DESIGN CHANGES

Perfect colour to enrich models painted with a red primer base and to create several different effects on them. Also perfect to work on figures with brown or redish uniforms and add areas with more light. Also recommendable to highlight details on different elements of dioramas such walls, roof tiles, etc.

A special colour, ideal for creating subtle ground effects. Colours that mimic these effects can be used in any segment of modelling making them very popular. A basic weathering colour used on the lower surfaces of vehicles; or any surface prone to the accumulation of mud and dirt. It can be used alone; however, for the most realistic finish and tonal richness we recommend combining it with other colours.

An ideal colour to darken sand yellow tones and create different colour combinations for dust effects. Also very useful to create shades in yellowish colours for figures, flags or any piece painted with yellow tones. Warm colours are also indicated to illuminate panels and areas with higher incidence of light.

One of the most popular colour for most modelers around the world; Raw Umber is a great choice making light colours darker, and dark colours lighter. Various effects can be created from different combinations for earth tones, washes and filters.

Perfect for extreme weathering effects, for panel darkening and to work on very dark surfaces. It is also used to provide depth in the hidden areas and to darken other colours adding tone variation on abandoned and destroyed vehicles. Works using pure black often result in harsh and exaggerated in combination with other colours, but this colour is ideal over dark gray tones to create the shadow areas.

This is a colour that no modeler should be without. When mixed with Matte Thinner Sepia perfectly replicates dry oil and diesel fuel stains; as well, it is great for panel lines and the fine details of small parts.

Perfect colour to develop lights and shadows or faded effects of Green colours. It also looks fantastic on green figures when looking for extra luminosity.

A basic in weathering processes, adding realism to the underside of dirty vehicles when used on a subtle way. A special colour to create mud accumulation effects. It can be mixed with plaster and other colours like ABT130 Dark Mud to achieve a wide tone variety, or worked with varnishes in order to achieve humid or dry effect. Lighter mud colours are usually used over the darker tones on splashes or side areas of the splattered parts in order to simulate dry mud.

With this neutral gray in combination with other tones to you will be able to create lights and shadows on was ships, aircrafts, sci-fi or figures with dark uniforms. It is also suitable to create washes and filters to use over red, yellow, black or blue colours and to decorate their different areas. It is recommended to use it to enrich or degrade camouflage gray and combine with other colours. A staple colour for modelers.

A colour especially formulated to create subtle shadow effects over gray and green colours. It is indicated for uniforms and vehicles of that colour range, for green colour gradients or for filters applicable on vehicles.

An especially formulated colour to be used in the process of flesh illumination, directly or fusing it with the base and in general for figure flesh painting.

This colour can be used in a wide variety of situations and it is ideal for vehicles that need red priming, ship hulls, sci-fi models, for combining on figure clothing, red parts or layers, for the dotting and mapping techniques, etc.