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  • Mortal Enemies – Prussian Officer

    MKC ME 001B

    39,90
    • Sculptor: Christos Panagiotopoulos
    • Painter: Christos Panagiotopoulos
    • Scale: 75 mm
    • Material: Resin

     

    The Franco-Prussian lasted from July 19th 1870 to May 10th1871 and was fought between the German states of the North German Confederation led by the Kingdom of Prussia and the Second French Empire of Napoleon III. Essentially the war started due to the ambitions of Prussia to unify Germany which resulted in fears within France about a shift of balance and power within Europe.

    Amidst growing tensions and concerns on July 16th 1870, the French parliament voted to declare war on the German Kingdom of Prussia. Surprisingly the conflict began three days later with Germany invading northeastern France, with the French being caught unprepared.

    After a series of swift victories by German forces throughout France, Paris finally fell on January 28th 1871.

    Further to winning the war Germany became a unified country and with the signing of the treaty of Frankfurt acquired the majority of Alsace and certain areas of Lorraine.

    With the balance of power shifting considerably in Europe and Otto von Bismarck demanding great authority within Europe the foundations for World War I were laid.

  • The Frog Whisperer

    MKC BU 010

    35,00
    • Sculptor: Georgia Sarantinou
    • Painter: Michael Volquarts
    • Scale: 1/10 (200mm)
    • Material: HQ Resin

     

    Supervision by Michael Konraros

    Unpainted resin model kit / Two pieces of HQ resin

  • Lord of the Cats

    MKC BU 007

    35,00
    • Sculptor: Michael Kontraros
    • Painter: Spyros Paizakis
    • Scale: 1/12
    • Material: High Quality Resin

     

    4 parts of unpainted High Quality Resin

    *Photos by Marios Vrahiolidis (Painting Bad) and Georgia Laladaki

  • Major Pain

    MKC BU 005

    28,90
    • Sculptor: Spyros Paizakis
    • Painter: Alex Aggelakis
    • Scale: 1/10 (200 mm)
    • Material: Resin

    Supervision by Michael Konraros

    Unpainted resin model kit

  • Dark Elf Priestess

    MKC 90 002

    69,90
    • Sculptor: Michael Kontraros
    • Painter: Stephan Rath
    • Scale: 90 mm
    • Material: HQ resin

     

    9 pieces of High Quality resin

    Scenery and Spider is included to the kit

    Unpainted and Unassebled miniature for modellers and collectors

  • Elf Dragon Prince

    MKC 90 001

    69,90
    • Sculptor: Michael Kontraros
    • Painter: Chris Panagiotou
    • Scale: 90 mm
    • Material: Resin

     

    High Quality resin, 90 mm, 7 pieces.

    This high quality resin Unpainted and Un assembled product

    *Photos by Stelios Demiras (Mr Black Publications)

  • Atonement (Commercial Edition)

    Sold out

    MKC 75 005

    98,90
    • Sculptor: Michael Kontraros
    • Painter: Francesco Farabi
    • Scale: 75 mm
    • Material: Resin

     

    Concept art by George Dimitriou

    *Pics by Francesco Farabi

    AWARDS
    – BEST OF SHOW: CRUSTAL BRUSH, Chicago USA – 2016
    – BEST OF SHOW:  Euromilitaire, UK – 2016
    – BEST OF SHOW (fantasy): SMC show, Holland – 2016
    – BEST OF SHOW:  Ransart Show, Belgium – 2017

    Twelve highly detailed unpainted resin parts:
    One Book, One Bookmark, Three swords, One Knight Figure, Two spurs (for Knight figure), Two wings (for Knight figure), One Princess top half, One Princess bottom half

  • Deputy Betty

    MKC 75 004

    43,90
    • Sculptor: Christos Panagiotopoulos
    • Painter: Christos Panagiotopoulos
    • Scale: 75 mm
    • Material: Resin

     

    High Quality Resin Casting, 75 mm, 4 pieces.

    This high quality resin product will be placed inside a metal box.

    High detailed scenery included.

  • Eternal Crusader

    MKC 75 001

    43,90
    • Sculptor: Michael Kontraros
    • Painter: Kyriakos Simos
    • Scale: 75 mm
    • Material: Resin

     

    High Quality Resin Casting miniature in a metal box

    *Photos by Stelios Demiras (Mr. Black Publications)

  • DEATH

    MKC 54 011

    66,00
    • Sculptor: Michael Kontraros
    • Painter: Chris Panagiotou
    • Scale: 54 mm
    • Material: HQ Resin

    The Four Horsemen of the Apocalypse are described in the last book of the New Testament of the Bible, the Book of Revelation by John of Patmos, at 6:1–8. The chapter tells of a book or scroll in God`s right hand that is sealed with seven seals. The Lamb of God opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses.
    Though theologians and popular culture differ on the first Horseman, the four riders are often seen as symbolizing Pestilence (and less frequently, the Christ or the Antichrist), War, Famine and Death. The Christian apocalyptic vision is that the Four Horsemen are to set a divine apocalypse upon the world as harbingers of the Last Judgment. One reading ties the Four Horsemen to the history of the Roman Empire subsequent to the era in which the Book of Revelation was written as a symbolic prophecy.

     

    DEATH

    “When the Lamb broke the fourth seal, I heard the voice of the fourth living creature saying, “Come.” I looked, and behold, an ashen horse; and he who sat on it had the name Death; and Hades was following with him. Authority was given to them over a fourth of the earth, to kill with sword and with famine and with pestilence and by the wild beasts of the earth”

    — Revelation 6:7-8

  • PESTILENCE

    MKC 54 010

    66,00
    • Sculptor: Michael Kontraros
    • Painter: Chris Panagiotou
    • Scale: 54 mm
    • Material: HQ Resin

     

    The Four Horsemen of the Apocalypse are described in the last book of the New Testament of the Bible, the Book of Revelation by John of Patmos, at 6:1–8. The chapter tells of a book or scroll in God`s right hand that is sealed with seven seals. The Lamb of God opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses.
    Though theologians and popular culture differ on the first Horseman, the four riders are often seen as symbolizing Pestilence (and less frequently, the Christ or the Antichrist), War, Famine and Death. The Christian apocalyptic vision is that the Four Horsemen are to set a divine apocalypse upon the world as harbingers of the Last Judgment. One reading ties the Four Horsemen to the history of the Roman Empire subsequent to the era in which the Book of Revelation was written as a symbolic prophecy.

     

    PESTILENCE

    “Then I saw when the Lamb broke one of the seven seals, and I heard one of the four living creatures saying as with a voice of thunder, “Come.” I looked, and behold, a white horse, and he who sat on it had a bow; and a crown was given to him, and he went out conquering and to conquer”

    — Revelation 6:1-2

  • WAR

    MKC 54 009

    66,00
    • Sculptor: Michael Kontraros
    • Painter: Chris Panagiotou
    • Scale: 54 mm
    • Material: HQ Resin

     

    The Four Horsemen of the Apocalypse are described in the last book of the New Testament of the Bible, the Book of Revelation by John of Patmos, at 6:1–8. The chapter tells of a book or scroll in God`s right hand that is sealed with seven seals. The Lamb of God opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses.
    Though theologians and popular culture differ on the first Horseman, the four riders are often seen as symbolizing Pestilence (and less frequently, the Christ or the Antichrist), War, Famine and Death. The Christian apocalyptic vision is that the Four Horsemen are to set a divine apocalypse upon the world as harbingers of the Last Judgment. One reading ties the Four Horsemen to the history of the Roman Empire subsequent to the era in which the Book of Revelation was written as a symbolic prophecy.

     

    WAR

    “When He broke the second seal, I heard the second living creature saying, “Come.” And another, a red horse, went out; and to him who sat on it, it was granted to take peace from the earth, and that men would slay one another; and a great sword was given to him

    — Revelation 6:3-4

  • FAMINE

    MKC 54 008

    66,00
    • Sculptor: Michael Kontraros
    • Painter: Chris Panagiotou
    • Scale: 54 mm
    • Material: HQ Resin

     

    The Four Horsemen of the Apocalypse are described in the last book of the New Testament of the Bible, the Book of Revelation by John of Patmos, at 6:1–8. The chapter tells of a book or scroll in God`s right hand that is sealed with seven seals. The Lamb of God opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses.
    Though theologians and popular culture differ on the first Horseman, the four riders are often seen as symbolizing Pestilence (and less frequently, the Christ or the Antichrist), War, Famine and Death. The Christian apocalyptic vision is that the Four Horsemen are to set a divine apocalypse upon the world as harbingers of the Last Judgment. One reading ties the Four Horsemen to the history of the Roman Empire subsequent to the era in which the Book of Revelation was written as a symbolic prophecy.

     

    FAMINE

    “When He broke the third seal, I heard the third living creature saying, “Come.” I looked, and behold, a black horse; and he who sat on it had a pair of scales in his hand. And I heard something like a voice in the center of the four living creatures saying, “A quart of wheat for a denarius, and three quarts of barley for a denarius; but do not damage the oil and the wine”

    — Revelation 6:5-6

  • Skull Set – 90mm

    MKA S 90

    12,00
    • Sculptor: 3D Scan
    • Scale: 90mm
    • Material: Resin

    Contains
    3x skulls 75mm with jaw
    Perfect skulls, 3D scanned from a real skull used for medical purposes and printed in a HD 3D printer

  • Skull Set – 54mm

    MKA S 54

    12,00
    • Sculptor: 3D Scan
    • Scale: 54mm
    • Material: Resin

     

    Contains:
    – 4x skulls 54mm with jaw
    – 4x skulls 54mm without jaw
    Perfect skulls, 3d scanned from a real skull, used for medical purposes and printed in a DH 3d printer

  • Anatomy Male – 75mm

    MKA M 75

    22,90
    • Sculptor: Michael Kontraros
    • Scale: 75 mm
    • Material: Resin

     

    Contains:
    – TWO (2) miniature 75mm (one unassembled & one complete in pose)
    – info sheet
    – piece of wire

  • Anatomy Female 75mm

    MKA F 75

    22,90
    • Sculptor: Michael Kontraros
    • Scale: 75 mm
    • Material: Resin

     

    Contains:
    – TWO (2) miniature 75mm (one unassembled & one complete in pose)
    – info sheet
    – piece of wire

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