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  • The secrets of Leviathan: Sculpting & Painting techniques

    ABT715

    24,95
    ENGLISH

    English. 120 Pages. Soft Cover.

     

    This book under the ABT502 label is an art book, especially designed by Michael Kontraros for all fans of his work, and in general for those modellers who appreciate fantasy figures. This artistic book, with a very unique layout that shows us the steps of the creation of Leviathan, a work with which Michael Kontraros won several awards, ranging from his concept to his painting. The book is a limited edition of 2000 copies worldwide.

    Learn the secrets of one of the contemporary master modellers with an absolutely recognizable style. Do not expect a regular modelling book, but a book to enjoy reading and learning.

     

    GET YOUR DIGITAL COPY AT AK-INTERACTIVE APP for iOS and Android

     


    ESPAÑOL

    Inglés. 120 Páginas. Tapa blanda.

     

    Este libro bajo la etiqueta ABT502 es un libro de arte, especialmente diseñado por Michael Kontraros para todos los fanáticos de su trabajo, y en general para aquellos modelistas que aprecian las figuras de fantasía. Este libro artístico, con un diseño muy singular que nos muestra los pasos de la creación de Leviatán, una obra con la que Michael Kontraros ganó varios premios, que van desde su concepto hasta su pintura. El libro es una edición limitada de 2000 copias en todo el mundo.

    Aprende los secretos de uno de los maestros modelistas contemporáneos con un estilo absolutamente reconocible. No esperes un libro de modelismo normal, sino un libro para disfrutar leyendo y aprendiendo.

     

    OBTENGA SU COPIA DIGITAL EN LA APLICACIÓN AK-INTERACTIVE para iOS y Android

  • Skull Set – 90mm

    MKA S 90

    12,00
    • Sculptor: 3D Scan
    • Scale: 90mm
    • Material: Resin

    Contains
    3x skulls 75mm with jaw
    Perfect skulls, 3D scanned from a real skull used for medical purposes and printed in a HD 3D printer

  • PESTILENCE

    MKC 54 010

    66,00
    • Sculptor: Michael Kontraros
    • Painter: Chris Panagiotou
    • Scale: 54 mm
    • Material: HQ Resin

     

    The Four Horsemen of the Apocalypse are described in the last book of the New Testament of the Bible, the Book of Revelation by John of Patmos, at 6:1–8. The chapter tells of a book or scroll in God`s right hand that is sealed with seven seals. The Lamb of God opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses.
    Though theologians and popular culture differ on the first Horseman, the four riders are often seen as symbolizing Pestilence (and less frequently, the Christ or the Antichrist), War, Famine and Death. The Christian apocalyptic vision is that the Four Horsemen are to set a divine apocalypse upon the world as harbingers of the Last Judgment. One reading ties the Four Horsemen to the history of the Roman Empire subsequent to the era in which the Book of Revelation was written as a symbolic prophecy.

     

    PESTILENCE

    “Then I saw when the Lamb broke one of the seven seals, and I heard one of the four living creatures saying as with a voice of thunder, “Come.” I looked, and behold, a white horse, and he who sat on it had a bow; and a crown was given to him, and he went out conquering and to conquer”

    — Revelation 6:1-2

  • DEATH

    MKC 54 011

    66,00
    • Sculptor: Michael Kontraros
    • Painter: Chris Panagiotou
    • Scale: 54 mm
    • Material: HQ Resin

    The Four Horsemen of the Apocalypse are described in the last book of the New Testament of the Bible, the Book of Revelation by John of Patmos, at 6:1–8. The chapter tells of a book or scroll in God`s right hand that is sealed with seven seals. The Lamb of God opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses.
    Though theologians and popular culture differ on the first Horseman, the four riders are often seen as symbolizing Pestilence (and less frequently, the Christ or the Antichrist), War, Famine and Death. The Christian apocalyptic vision is that the Four Horsemen are to set a divine apocalypse upon the world as harbingers of the Last Judgment. One reading ties the Four Horsemen to the history of the Roman Empire subsequent to the era in which the Book of Revelation was written as a symbolic prophecy.

     

    DEATH

    “When the Lamb broke the fourth seal, I heard the voice of the fourth living creature saying, “Come.” I looked, and behold, an ashen horse; and he who sat on it had the name Death; and Hades was following with him. Authority was given to them over a fourth of the earth, to kill with sword and with famine and with pestilence and by the wild beasts of the earth”

    — Revelation 6:7-8

  • Major Pain

    MKC BU 005

    28,90
    • Sculptor: Spyros Paizakis
    • Painter: Alex Aggelakis
    • Scale: 1/10 (200 mm)
    • Material: Resin

    Supervision by Michael Konraros

    Unpainted resin model kit

  • Lord of the Cats

    MKC BU 007

    35,00
    • Sculptor: Michael Kontraros
    • Painter: Spyros Paizakis
    • Scale: 1/12
    • Material: High Quality Resin

     

    4 parts of unpainted High Quality Resin

    *Photos by Marios Vrahiolidis (Painting Bad) and Georgia Laladaki

  • The Frog Whisperer

    MKC BU 010

    35,00
    • Sculptor: Georgia Sarantinou
    • Painter: Michael Volquarts
    • Scale: 1/10 (200mm)
    • Material: HQ Resin

     

    Supervision by Michael Konraros

    Unpainted resin model kit / Two pieces of HQ resin

  • Mortal Enemies – Prussian Officer

    MKC ME 001B

    39,90
    • Sculptor: Christos Panagiotopoulos
    • Painter: Christos Panagiotopoulos
    • Scale: 75 mm
    • Material: Resin

     

    The Franco-Prussian lasted from July 19th 1870 to May 10th1871 and was fought between the German states of the North German Confederation led by the Kingdom of Prussia and the Second French Empire of Napoleon III. Essentially the war started due to the ambitions of Prussia to unify Germany which resulted in fears within France about a shift of balance and power within Europe.

    Amidst growing tensions and concerns on July 16th 1870, the French parliament voted to declare war on the German Kingdom of Prussia. Surprisingly the conflict began three days later with Germany invading northeastern France, with the French being caught unprepared.

    After a series of swift victories by German forces throughout France, Paris finally fell on January 28th 1871.

    Further to winning the war Germany became a unified country and with the signing of the treaty of Frankfurt acquired the majority of Alsace and certain areas of Lorraine.

    With the balance of power shifting considerably in Europe and Otto von Bismarck demanding great authority within Europe the foundations for World War I were laid.

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