COMBAT VEHICLES OF WWII – VOLUME 1

This colour is perfect to replicate dust and sand effects on your models or scenes and also to illuminate different areas of panels. It is recommendable to use in combination with other colours to create different tones, although it can be used directly achieving very realistic results.

A colour especially designed to be used for most types of skin colour. It is recommended to combine it with other flesh tones. The special characteristics of the oil paints will make tone transitions on figure flesh spectacular, luminous and seamless.

A basic in weathering processes, adding realism underneath the dirty vehicles or on snowed terrains. It is recommended to combine with ABT125 Light Mud or plaster to achieve higher richness on finishes. Darker mud colours are usually used under the lighter mud colours on splashes and the inside of the affected areas in order to simulate fresh mud.

A perfect colour to be use on nature scenes, river banks, moss accumulations, rain effects, etc. Also suitable for green vehicles and figures with green uniforms of any period in order to differentiate and contrast different áreas.

With this neutral gray in combination with other tones to you will be able to create lights and shadows on was ships, aircrafts, sci-fi or figures with dark uniforms. It is also suitable to create washes and filters to use over red, yellow, black or blue colours and to decorate their different areas. It is recommended to use it to enrich or degrade camouflage gray and combine with other colours. A staple colour for modelers.

An especially formulated colour to be used in the process of flesh illumination, directly or fusing it with the base and in general for figure flesh painting.

Perfect colour to enrich models painted with a red primer base and to create several different effects on them. Also perfect to work on figures with brown or redish uniforms and add areas with more light. Also recommendable to highlight details on different elements of dioramas such walls, roof tiles, etc.

This is a colour that no modeler should be without. When mixed with Matte Thinner Sepia perfectly replicates dry oil and diesel fuel stains; as well, it is great for panel lines and the fine details of small parts.

A basic colour especially created to add shades on your model’s fine details. Its developed tone makes it perfect to create different shadows as well as filters. Also when combining with other browns it will enhance chromatic variation on your models.

Especially formulated colour to be used in the illumination process on flesh. It adds a touch of extra luminosity with a toasted tinge. Colour combination provides diversity of finishes which make them look different and unique. This technique can be combined with acrylic colours.

This colour can be used in a wide variety of situations and it is ideal for vehicles that need red priming, ship hulls, sci-fi models, for combining on figure clothing, red parts or layers, for the dotting and mapping techniques, etc.

A basic in weathering processes, adding realism to the underside of dirty vehicles when used on a subtle way. A special colour to create mud accumulation effects. It can be mixed with plaster and other colours like ABT130 Dark Mud to achieve a wide tone variety, or worked with varnishes in order to achieve humid or dry effect. Lighter mud colours are usually used over the darker tones on splashes or side areas of the splattered parts in order to simulate dry mud.