COMBAT VEHICLES OF WWII – VOLUME 1

This colour is perfect to replicate dust and sand effects on your models or scenes and also to illuminate different areas of panels. It is recommendable to use in combination with other colours to create different tones, although it can be used directly achieving very realistic results.

Essential colour for your scenes. It can also be used to enhance, mix, and the illumination of other colours. A basic colour for the modeler.

A classic, must have, multipurpose colour that can be used alone or combined with other colours for the creation of various effects. Burnt Umber is a neutral/ dark tone making it perfect for enhancing volume on sand colours and on any type of accessories.

An ideal colour to darken sand yellow tones and create different colour combinations for dust effects. Also very useful to create shades in yellowish colours for figures, flags or any piece painted with yellow tones. Warm colours are also indicated to illuminate panels and areas with higher incidence of light.

A basic in weathering processes, adding realism to the underside of dirty vehicles when used on a subtle way. A special colour to create mud accumulation effects. It can be mixed with plaster and other colours like ABT130 Dark Mud to achieve a wide tone variety, or worked with varnishes in order to achieve humid or dry effect. Lighter mud colours are usually used over the darker tones on splashes or side areas of the splattered parts in order to simulate dry mud.

With this neutral gray in combination with other tones to you will be able to create lights and shadows on was ships, aircrafts, sci-fi or figures with dark uniforms. It is also suitable to create washes and filters to use over red, yellow, black or blue colours and to decorate their different areas. It is recommended to use it to enrich or degrade camouflage gray and combine with other colours. A staple colour for modelers.

A basic in weathering processes, adding realism underneath the dirty vehicles or on snowed terrains. It is recommended to combine with ABT125 Light Mud or plaster to achieve higher richness on finishes. Darker mud colours are usually used under the lighter mud colours on splashes and the inside of the affected areas in order to simulate fresh mud.

Especially formulated colour to be used in the illumination process on flesh. It adds a touch of extra luminosity with a toasted tinge. Colour combination provides diversity of finishes which make them look different and unique. This technique can be combined with acrylic colours.

A colour especially designed to be used for most types of skin colour. It is recommended to combine it with other flesh tones. The special characteristics of the oil paints will make tone transitions on figure flesh spectacular, luminous and seamless.

Suitable to mix with all the base colours and create dirt and dust effects. Thanks to its light tone you will achieve shadow areas on white or light gray parts. Very useful to illuminate certain parts on brown, sand or tri-tone camouflages vehicles.

A very realistic dark rust tone, perfect for creating rust effects found on various types of metal, such as exhaust pipes … For best resuIts we recommended using it in combination with other shades of rust to achieve highly realistic finishes.

A perfect colour to be use on nature scenes, river banks, moss accumulations, rain effects, etc. Also suitable for green vehicles and figures with green uniforms of any period in order to differentiate and contrast different áreas.